casual friday.

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6131 records a loss for words acoustic basement tour africa angel du$t april 30 balance and composure bled fest boston brad vander lugt brain maquis chasing a ghost code orange kids colin gorman conshohocken crooked in my mind daylight dads dead end path defeater disgrace distance/divide drake drew magid elvis costello fugazi geoff rickly gypsy have mercy i am the avalanche

May 01

interview with KOJI

I first met Koji in 2010 when my previous band played our last show ever in New Jersey. One of the reasons we agreed to travel from Boston to play this show was because Koji was playing and I was really into the music he had released thus far on Seaside Sessions. Today, I am not in the least bit surprised that Koji has participated in numerous successful tours and releases, especially with his latest release being his first full-length Crooked In My Mind. Read along to learn more about Koji’s LP, past tours so far from 2013, and his future plans for the rest of the year. Check him out on tour this summer with Turnover!

1. Your new LP Crooked In My Mind was released on April 30th, through Run For Cover Records. How long were you working on the songs before recording them? Was anything different about your writing process this time around than from your previous releases?

I wrote the first song for the record back in 2010. That was the first year I spent on the road and the rest of the record was written during that season of my life. There’s a lot about that time in my life that I could never put into words, so it’s cool to be able to share this work with people. It’s my first record written in a state of perpetual motion.

2. Where and when did you record the LP? Can you give us some background on the environment and the recording process overall?

We started demoing the record at the end of 2011 and took most of 2012 to record and mix it at Studio 4 in Conshohocken, PA. Will Yip produced the record and was instrumental in crafting the organic sound of the record. We wanted to make something with a real sense of space, something that breathes. I’m thankful that Drew Magid and the Russin brothers convinced me to work with Will. I couldn’t have made the record with anyone else.

3. Brad Vander Lugt from La Dispute plays drums on your new record and Matt Warner from Balance and Composure plays bass. How did you get the idea of asking them both to contribute?

You can always count on your friends. Brad and Matt are some of my oldest and most talented friends in music, so it made sense to enlist their help. Having Ned Russin from Title Fight and Colin Gorman from Gypsy was incredible too; not to mention, Ron Gilmore, who plays for Lauryn Hill and Drake’s band. It was an honor to make a record with those guys.

4. What influenced you to name your new record Crooked In My Mind?

The title comes from the song “Pang and Flash,” which might be one of my favorite tracks from the record. Crooked In My Mind is ultimately about finding inner peace and the resilience it takes to do that.

5. This record will be your first full-length record and your third release from Run For Cover Records. Tell us about your relationship with RFC and how you felt confident enough to release your first LP with them.

RFC is the realest label out. They put me on in 2010 after I had been on the road with a CD-R demo and I’ll never forget that. I love the team there and their roster is an incredible group of artists to be a part of.

6. Earlier in the year you were able to join Geoff Rickly (Thursday), Vinnie Caruana (The Movielife/ I Am The Avalanche), A Loss For Words, and Brian Maquis (Therefore I Am) on the Vans Warped Tour’s Acoustic Basement Tour. How was this tour any different from playing with full bands every night? What are some of your favorite memories from this tour?

The Acoustic Basement Tour was incredible. It was great to recapture some of the glory from the Warped Tour stage, but in a more intimate setting. The shows had the best energy and traveling in one van with everyone made the journey that much better. My favorite memory was when we got to eat sushi before and after our sold-out, final show in Boston. Over pre & post-dinner we got to reminisce about the madness that was the Acoustic Basement Tour. I’d do it again in a heart beat.

7. During your Boston date of your last tour with Slingshot Dakota you told me that you have been speaking at colleges recently. Can you fill everyone else on what you talk about during your presentations and where you have been able to speak? Can anyone expect you to come to their school in the near future? What about in the Boston area after our recent tragedy?

I’ve had the opportunity to speak at a lot of amazing institutions from art magnet high schools to top American universities on everything from songwriting to child soldiering in central Africa. A lot of the time, I talk about how the arts can move communities towards positive change, whether that’s here in the states or in a village in the Democratic Republic of Congo. My friends, family, and music community taught me that when I was growing up, so part of my mission as an artist is to share that story. I don’t have any school appearances lined up right now, but I’d be happy to speak and sing anywhere people want to have me.

As for Boston, my heart aches for you. I can’t imagine what it’s like to live through an event like that. I lost my friend, Nate Henn, to a suicide bombing in Africa. That was one of the toughest experience I’ve had to go through. It’s in moments like these that make me so grateful to have music to turn to. I hope that Boston heals soon and that our society gets serious about erasing violence from every community worldwide.

8. Speaking of your recently ended tour with Slingshot Dakota, how did this tour come about? Any highlights from the tour that you would like to share with us?

I love Slingshot Dakota. They write some of the coolest songs of anyone from our scene. They’re a truly inventive duo and I encourage anyone who hasn’t heard them before to check them out. We had been friends for a long time and it’s something we’ve wanted to do for a long time, so this tour together was a real treat. SD’s set at Stay Sweet Fest was a huge highlight for me. Also, playing a blues club that Stevie Ray Vaughan washed dishes at was mind blowing.

9. You were also able to play the Idobi Meltdown, Today’s Mixtape, and Stay Sweet Festivals over the past couple of months. What were your favorite aspects about them? Who were your favorite bands that you were able to watch?

It was really great to reconnect with old friends like Kevin Devine, Man Overboard, Defeater and Vinnie Caruana. I got to catch some of my favorite bands from PA: Daylight, Modern Baseball, Dead End Path and The Menzingers. I think Dads played one of the best and heaviest sets of their career at Today’s Mixtape. All in all, festivals are just big family reunions and I love that.

10. What is your favorite song off of Crooked in My Mind? How about your favorite song off the record to play live?

The first song, “Chasing A Ghost,” is a song that has just been released, but people come to the shows knowing the words. That might be one of the coolest parts of every night. My favorite jams are the darker songs like “Distance/Divide” and “Pang and Flash.”

11. What music do you think helped influence you to write this record? Any particular bands or artists that influence you overall?

I like artists that do what they do with soul. Artists like Otis Redding to Elvis Costello are guys I’m reaching for vocally. When you listen to them, you feel it. Sonically, I think bands like Wilco and Fugazi shape my approach. Those guys are risk takers and always do what’s true to who they are. You might not hear that directly, but it’s the ethos that I carry with me in the studio.

12. You had been playing full band on the Slingshot tour. Is this going to stay this way? Tell us more about your bassist and drummer!

I’m going to be doing a lot more full band shows. The Acoustic Basement was a cool way to end doing solo tours for the year. My band on this last tour consisted of Colin Gorman from Gypsy and Willie Rose from Settle. Colin never played bass before, the three of us never played together before, and we only ever had one rehearsal. If you caught a show, you know what serious players those guys are. My only problem with the full band shows is I couldn’t turn around and see what they were playing.

13. What bands have you been listening to lately?

I’ve been listening to the new Daylight and Turnover records a ton. They’re phenomenal. The last show I caught was a Saturday matinee in Philly with Power Trip, Code Orange Kids, Twitching Tongues, Disgrace, Rivers of Nihil, and Angel Du$t. It was one of the most diverse shows I’ve seen in awhile and I had the BEST time.

14. Can you fill us in about the plans you already have for the rest of the year?

I’ve got a full US tour coming up with Turnover, Ivy League (6131 Records), and Have Mercy (Topshelf Records) and a couple of one offs and weekends that include a stop at Michigan’s BLED Fest. Needless to say, I’m looking forward to it.

15. Anything left to add?

Thanks for your time. Thanks to everyone who has supported Crooked In My Mind so far.

Listen to Crooked In My Mind here Koji’s Tumblr

Koji’s Facebook

Koji merch

Koji’s Twitter @kojisaysaloha

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clouds above my head alta benson bff bramble jam brian franklin bruce springsteen casual friday mag coffee with tom connecticut east coast florida frameworks garth brooks greg lindholm indie dance night split july khandu lowell marco polo minnesota north carolina northwestern ohio old maid sfumato sxsw the weeds this couch is long and full of friendship thursday

Apr 04

TINY MOVING PARTS INTERVIEW

I first met Tiny Moving Parts back in February when my band The Weeds played a house show with them in Lowell, MA. Right off the bat, the kids in TMP were some of the nicest and funniest guys I think I’ve ever met! I became even more fond of the band after they played a flawless set and left me speechless. If you haven’t heard their newest LP This Couch Is Long And Full Of Friendship, well then you’re really messing up.

1. Can you start off by giving us a bit of a background about how you guys met and when you formed Tiny Moving Parts?

Matt and Billy are brothers, and Dylan is their cousin. We have the same grandparents . We started playing music together when we got instruments in junior high. Been rocking ever since!

2. Has it always been only you three? Has anyone else ever played with you guys?

When we started in high school as “The D-Cups,” Dylan and Matt both played guitar and we went through a couple of bassists. When we started Tiny Moving Parts, Matt switched to bass, and we added Davis on synth. He played with us for a few years.

3. Can you explain how your style from your first release Sfumato (08’) has progressed from today? What do you guys do differently when it comes to your writing process?

The writing process has always been the same, but we put more thought into our music these days. It’s always fun hearing the older tunes from the past!

4. Tell us how you teamed up with Northwestern to release your Indie Dance Night Split. What made you choose “Old Maid” and “Coffee With Tom” as the songs you included on this?

Corey and Scott from Northwestern let us play at their house in Ohio when we came through a few times, and they were awesome dudes that had some awesome tunes. The songs just went good together.

5. A few months after you guys released your split you put out your full length This Couch Is Long And Full Of Friendship. Where was this recorded? How were the songs written? Was everything completely planned out before heading into the studio?

We recorded it up here in Fargo, North Dakota with Greg Lindholm. He was the man! We wrote the songs together mostly in the fall. It was tough for all three of us to get work off at the same times so we wrote big chunks of it at once. The album was 99 percent done when we started recording, although Grayscale and Amateur Night were finished as we recorded them.

6. How did you think of the name of the LP? When can vinyl lovers like myself expect this on vinyl?

Dylan said, “This couch is long and full of friendship” one night when we were all hanging out and he was trying to get people to join him on the couch. A friend was tweeting every stupid drunk thing we were saying, and we came across it. Dylan doesn’t remember saying it, and Matt wanted to have that line in a song. We decided it related to the tracks on the album and made a perfect fit for the title. Vinyl coming in June!!!!!!

7. What are your favorite songs off of the full length to play live?

Dylan: Vacation Bible School

Matt: Clouds Above my Head

Billy: Coffee with Tom

8. You guys recently went out on a 40 plus day tour. What were some highlights? Any buzzkill moments? How was SXSW?

The whole tour was a highlight!!!! Except breaking down in North Carolina and missing all our Florida shows, that was a buzzkill. SXSW was the highlight of the highlights! It was such a fun way to end tour. Meatspin 2 at Habenero House was the most fun time ever!

9. Do you guys have any plans for the near future? Tours/shows/releases?

We are touring the East Coast this July and playing Bramble Jam in Connecticut. The dates and places of the other shows will be up soon!

10. What bands are you all currently listening to?

Frameworks, The Weeds, Alta, Victor Shores… We listened to Garth Brooks Greatest Hits last night but only because we lost Bruce Springsteen.

11. Can you name off some bands that influences TMP overall?

I’d say a lot of influences over the past year have been our friends bands the we have shared shows with. In our early years Thursday was a huge influence on this band.

12. Bands you love/would love to tour with?

I heard Brian Franklin started a new skramz band so that sounds fun. Khandu or BFF would be awesome, too!! Or a Marco Polo reunion tour! Basically, anything with Brian Franklin.

13. What would be your dream gear? Guitars/amps/drum kits, etc.

It would be cool if all of our gear was solid gold and accented with diamonds!!!

14. Anything left to add?

Stay tuned for future tours and releases! Thank you so much CF for this interview!!!

Watch “Clouds Above My Head” Official Music Video

tumblr

bandcamp

twitter @tinymovingparts

facebook

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things fall apart all of my friends hate your band emo-violence

Jan 28

Things Fall Apart’s newest EP “All of My Friends Hate Your Band.” came out yesterday and holy shit. I’m not sure what happened to them but these songs are super heavy.
A message from the band: “Our new emo-violence EP is up! It is for free or donation and all donations go straight to the “Get Things Fall Apart a working class punx van so they can go do working class punx things in working class punx towns” foundation because ours died. You dont have to donate but we’d love it if you’d share it with your friends ♥ thanks!”
So go download it, and donate if you can! Things Fall Apart Bandcamp.

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sandy hook school fund free music compilation modern baseball the weekend the weeds death valley free throw lvl 2 pidgey in a masterball adventures reach out to you transit i told you so somos daily ritual major league final thoughts we were skeletons long night legs like tree trunks wadm glocca morra gun control strange mangers here's hope hope high pop loner

Jan 25

37 SONG COMPILATION TO BENEFIT SANDY HOOK SCHOOL FUND!

Hi guys, we just released a huge compilation on our bandcamp. It is available for free download, but with the option to pay if you want to. Every penny we receive will be donated to the Sandy Hook School Fund. Check it out!

Modern Baseball – “The Weekend”
The Weeds – “Death Valley”
Free Throw – “Lvl. 2 Pidgey In A Masterball”
Adventures – “Reach Out To You”
Transit – “I Told You So”
Somos – “Daily Ritual”
Major League – “Final Thoughts”
We Were Skeletons – “Long Night”
Legs Like Tree Trunks – “WADM”
Glocca Morra – “Gun Control”
Strange Mangers – “Here’s Hope”
High Pop – “Loner”
Brave Bird – “Maybe You, No One Else Worth It”
Souvenirs – “Sinker.”
Maura – “Method Actor”
Troubled Coast – “Twenty”
Hindsights – “Sleep Therapy”
Vales – “Stallions (Adrenaline)”
Aviator – “Solemn Mountain (Live)”
Tiny Moving Parts – “Clouds Above My Head”
Old Gray – “Resonance”
The Saddest Landscape – “Desperate Vespers”
Place Called Home – “374 Miles From Home”
Gates – “Cast In The Pattern”
Elvis Depressedly – “Bodil”
Tyler Daniel Bean – “Rootbeerlington”
Maker – “Medina (West Coast)”
Foreign Tongues – “New Drugs”
Hostage Calm – “On Both Eyes”
Pentimento – “Almost Atlantic”
Mixtapes – “Hey Ma PT. 2”
Swearin’ – “Fat Chance”
Cranes – “5 And 7 Years”
State Champs – “We Are The Brave”
Go Long Kid – “Promises”
Stickup Kid – “Lighthouse”
Captives – “Ugly”

thanks to Adam Vass of La Dispute for the artwork!

(Source: )

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the weeds somos roots/routes ep stranger than fiction cat skull records no sleep records michael jordan venue stable boys ted nguyent sirs the meatlocker toasted plastic skateboard kyle beechwood big snow buffalo lodge field mouse charly bliss

Jan 20

THE WEEDS post acoustic video & poster for weekend tour

The Weeds filmed an acoustic video of them playing one of their bonus tracks “Stranger Than Fiction”. Those who order their EP Roots/Routes through No Sleep Records will be able to receive this song digitally when the EP comes out on February 26. Also, The Weeds and Somos posted a tour poster for their weekend tour next weekend. If you’re near Philly, NJ, or Brooklyn, make sure to check both bands out!

Order the EP here

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the weeds somos michael jordan stable boys sirs ted nguyent the meatlocker toasted plastic beechwood skateboard kyle big snow buffalo lodge field mouse charly bliss

Jan 17

THE WEEDS & SOMOS east coast weekend tour dates

The Weeds and Somos will be heading out on an East Coast weekend tour next weekend, the weekend of January 25. If you live near to the shows, come out!

Friday January 25: PHILADELPHIA, PA

@Michael Jordan

7 PM: $5-7

W/ Stable Boys, Sirs, and Ted Nguyent

Saturday January 26: MONTCLAIR, NJ

@The Meatlocker

9 PM: $5

W/ Toasted Plastic, Beechwood, and Skateboard Kyle

Sunday January 27: Brooklyn, NYC

@Big Snow Buffalo Lodge

W/ Field Mouse and Charly Bliss

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the weeds roots/routes ep sunset eyes (beautiful life) mike moschetto aviator long lost the office recording studios david conway man overboard allison weiss never shout never cat skull records no sleep records

Jan 15

THE WEEDS stream new song and announce preorders for new ep

The Weeds are now streaming the title track “Sunset Eyes (Beautiful Life)” off of their new EP Roots/Routes that they recorded with Mike Moschetto (Aviator/Long Lost) at The Office Recording Studios. They are now working with David Conway’s (Manager of Man Overboard, Allison Weiss, Never Shout Never) new record label Cat Skull Records, in which their EP will be exclusively distributed by No Sleep Records.

Stream here

Preorder here

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justin nottke artwork everytime i die touche amore pianos become the teeth seahaven william bonney the weeds

Jan 14

bands, anyone looking for artwork — JUSTIN NOTTKE

If you are looking to have some unique and stunning artwork done up for your band, charity, etc. then Justin Nottke is the man to contact. Justin has done artwork for Everytime I Die, Touche Amore, Pianos Become The Teeth, Seahaven, William Bonney, and has just finished the artwork for The Weeds’ new EP Roots/Routes (just to name a few). He is great with deadlines, extremely reasonable with prices, and great at what he does, always taking the time to make sure that the artwork comes out however his customers would like.

Take a second to check out some of his portfolio here.

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resonance ryan mitchell made me do it six years winter 11 359 pine b sides baths broken world media carissa's weird cerce chet baker dead air studios deer leep do i dare disturb the universe emerson college everything i let go and the things i refuse to fall out boy flatfoot 56 girl scouts i kill giants it's a trap records listener new hampshire old gray rat cave productions regina spektor sabbath sea of tranquility records sigur ros songs from the road records

Jan 11

interview with OLD GRAY

This week’s interview comes from a humble band from New Hampshire, called Old Gray. The band has just released their fifth release, EP Everything I Let Go And The Things I Refuse To and plans on completing many projects in 2013; such as releasing a new 7″ of B-SIDES from the EP, recording a new LP, and going on tour during the summer. Keep an eye out for Old Gray during the next year and check out their video for their song “359 Pine” below.

1. When did the three of you meet and how did the idea of forming Old Gray come about?

Charlie and I (Cam) met in the 11th grade when we started a post rock band together with a few friends. As that fizzled out (it was extremely mediocre), we were looking for something new. To make a long story short, I ended up inviting Raph over to jam with us, we wrote our first song, “Ryan Mitchell Made Me Do it,” and thatʼs where we are today!

2. Did you always plan on keeping the band as a three piece?

Initially the band started as a four piece and we toyed with that idea for a very long time. Zane McDaniel played bass on both Demo 2011 and Do I Dare Disturb the Universe and when he couldnʼt play heʼd be filled in by our friends Brad Schneider and Cormac Doherty. My roommate Conor Knox played bass on the split with Girl Scouts but in time we just realized it was easier to work as a three piece, the most recent release is our first time being released as such and Iʼm quite proud of it.

3. Old Gray has recorded their first demo, Do I Dare Disturb The Universe, the Split with Girl Scouts, and your new EP Everything I Let Go & The Things I Refuse To with Zak Ickes. What has made Old Gray keep returning to Zak for recording?

Zak and I have been recording music with each other forever so when itʼs time to record a band, we always do it together. Itʼs safe to say heʼs our best friend, heʼs been working with us since we first started and we love him wholeheartedly. This newest release was the first time I started pulling my own weight in the mixing process but Zak really deserves the most credit. He just rules.

4. How do you think Everything I Let Go & The Things I Refuse To has showed that you have matured in your writing compared to your previous releases? Some may think you guys have moved away from a midwest emo to a more skramzy sound. How would you describe Old Grayʼs current music style?

To be honest, I think iʼd just describe it as “music.” I feel like the labeling of genres has screwed up the scene because often times people wonʼt listen to a band based on what they “think they sound like.” That being said I think itʼs a huge step in the right direction for us and the direction we will continue to follow.

5. What were the steps taken to make every song on the EP what it came out to be? How was the writing process any different this time around?

Raph and I have always split the writing responsibilites and this release is where I feel like it really showed. The first side of the record (359 Pine/Resonance) are songs that I wrote in my dorm room and when I had the riff for “359 Pine,” I knew Charlie would kill it in the spoken word department so I told him to write to it and he did accordingly. The second side (Winter ʼ11/Six Years) are songs that Raph wrote in his dorm, about 130 miles from me. We got together and jammed them, worked out somethings lyrically and musically and there we had the final product. This band is weird because we arenʼt like a “traditional three piece.” If I write a song, Raph will play bass. If Raph writes a song, I will play Bass. Itʼs pretty fun in that regard, always changing.

6. How come you guys decided to offer your new EP as a free digital download on bandcamp?

We have always felt that if someone wants to have our music, they should just be able to have it. Money is dumb, weʼre all poor, buy a record if you want!

7. How was working with Itʼs A Trap Records to put out the physical copies of this release? Any other labels that you guys have a close relationship to? Might you work with any of them in the future?

Working with Itʼs a Trap, Sea of Tranquility, and Songs from the Road has been a great experience! These three labels (Ashley, Andrew, and Jesse respectively) cannot be thanked enough for all the work they did putting out our new record. As for the other labels, our great friend Derrick Shanholtzer runs a label called Broken World Media and weʼre putting out a lathe cut 7” of an unreleased song from the record in the coming month! We really like working with him and at this point our view as a band is that with whatever success weʼve had, weʼd like to help our friends out and do releases through them just because I know that the process will be that much more rewarding/enjoyable. Nevertheless, we have talked to a few labels in regards to future releases but nothing is set in stone.

8. What are Old Grayʼs plans for 2013? Any tours or releases that are being planned?

2013 is going to be a blast.

1. As I previously mentioned we are releasing a 7” lathe cut of a B-side from ETILG&TTIRT along with a U.S. cassette of the record.

2. We are heading to Dead Air Studios with Will Killingsworth to record our LP, which is very exciting and we hope to have out by this summer!

3. There will be something very cool coming out on Valentineʼs Day that I am not yet at liberty to discuss but keep your eyes peeled.

4. We are planning a 3-4 week tour as far as we can get for late May/early June!

9. What bands have you guys been listening to lately? Any favorite releases of 2012? Are you guys individually influenced by different styles of music?

Iʼd say individually we are all influenced by a lot of different music. Personally, I listen to a lot of Carissaʼs Wierd, Sigur Ros, Regina Spektor, and Chet Baker. I think raph actually listens to “real screamo” music and Fall Out Boy. Charlie likes Listener and Baths a lot. He wears a Flatfoot 56 t-shirt a lot because itʼs one of the few shirts he has, I’m led to believe theyʼre irish punk but I have not furthered this search much. I think our music comes out interesting because none of us really listen to music that is incredibly similar but we throw it together and it gets weird/cool.

As for 2012, I really liked the Modern Baseball LP as well as the Teen Suicide full length. Itʼs a shame Teen Suicide broke up, they had a lot going for them but from what iʼm told, Sam is working on something very cool, being released soon. You Blew Itʼs “Grow Up, Dude” is a banger. Weʼve played with them a few times over the past year and they are one of my favorite bands to see live. Also, Cerce and I Kill Giants had too awesome releases, keep your eyes our for those bands!

10. Tell us more about the music video for your title track “359 Pine”. Who shot this video and who came up with the concept? Also, why did you guys choose to make a video for your most laid back song on the EP?

It all comes back to Zak! Our friend that had helped us record all of our music goes to Emerson College and is friends with some incredible video production people and writers and actors and everything. Their collective is known as “Rat Cave Productions” (PLEASE CHECK THIS OUT) and I cannot begin to explain how great they are. They heard the song and wrote out a story line for a video encompassing both “359 Pine” and “Resonance.” I think that the story that connects both is very cool and the laid backness of “359” leads well into “Resonance!”

11. Whatʼs your favorite song to play live off the new EP?

Idealy, Iʼd love to do a nice long tour with I Kill Giants or Deer Leap because weʼve played so many shows with those bands and I know theyʼd kill it every night. Cerce, again, is also a great band so put them on a lot of dates. You Blew It! can hang out but only like every other show or something so I donʼt have to deal with Nick Inman on a daily basis (just kidding, I love him). The World Is a Beautiful Place would be nice to play with because theyʼre good friends but again, not every show. (love derrick, greg sucks,steve rules, josh is cute, chris is dave grohl, katie is the best, julia is swell, and david is just “;)”)

AND SABBATH, PUT SABBATH ON THE TOUR.

Old Gray – “359 Pine”

Old Gray Tumblr

Old Gray bandcamp

Old Gray Facebook

Old Gray Twitter @oldgrayband

Buy Old Gray’s new EP

Old Gray merchandise

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teen suicide i will be my own hell because there is a devil inside my body we were skeletons blame and aging you'll live above the weather vales clarity joyce manor of all things i will soon grow tired prawn ships state faults desolate peaks the saddest landscape after the lights troubled coast awake and empty deftones koi no yokan dikembe broad shoulders legs like tree trunks future reference el ten eleven transitions daylight the difference in good and bad dreams the antlers undersea

Jan 04